I while using this method, it's important to find the best re-timing setting, because you will get audio sync issues with the default one. Oh and if you want renders that are both 60 and 30fps, I'm not sure if there's a feature for even this: the only way I've found to do is to render a higher resolution, and higher bitrate master at 60fps, and then to import that render into a lower fps timeline and render it again.
If you hadn't set this up before importing clips, this setting can be set for individual clips by selecting them in your media pool and using the inspector. But I've had success with the Optical Flow method. I've found that the default method causes audio sync issues on renders. If your project is composed of clips that have a different framerate than your timeline, elsewhere in the project settings, there's also an option to set the default retiming method. All track and clip volume automation is exported, with all keyframes.
#Does davinci resolve support wav pro#
Each audio track exports whatever custom name you may have given it, for use by Pro Tools. Once you do, it's lock the framerate setting is locked for the project. In the case of Video+Audio files that have been synced in DaVinci Resolve, exported audio files are given the timecode and name of the synced audio source file, not that of the video clip.
Unfortunately, the timeline framerate cannot be changed after you drag any clips to your timeline 🙃. As a friendly reminder, DaVinci will ask you if you want to change your project framerate the first time you import media that doesn't match the project framerate. If you want 60fps output, you'll need to have set your timeline framerate to 60 on your project settings before you imported any media. Even though there's a dropdown for the framerate in the render job settings panel, you'll only see an option that matches the framerate of the timeline you're rendering.
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